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With no big stars, no flashy elevator pitch, and no provocative title, A Safe Distance might well get overlooked at its world premiere out of the 2026 SXSW film festival. And that would be the world’s loss. Written by Aidan West, A Safe Distance is a lean and scintillating thriller that wears its influences — the works of Patricia Highsmith — on its sleeve without apology. The feature directorial debut of Gloria Mercer, this film is slippery, seductive, and smartly titillating.
Like any psychological noir worth the price of salt, A Safe Distance begins in medias res, with a gunshot boom and a spatter of blood across a woman’s face. In the woods, she and another woman, also marked with blood, walk quietly to a river and wash away the signs of violence. Who are they? And how did they get here? Where did the blood come from?
By hooking us with the promise of a shocking murder, A Safe Distance begins as a mystery before leaping back in time to a seemingly mundane camping trip. What follows, however, is the kind of fateful meeting that is the stuff of Highsmith novels like The Price of Salt, The Talented Mr. Ripley, and Strangers on a Train. When strangers meet, anything is possible, including love and murder.
A Safe Distance dares to tread the path less traveled.
The story begins with a thirtysomething couple, Alex (Bethany Brown) and Joey (Chris McNally), celebrating their eighth anniversary with a camping trip in a sprawling forest. It should be romantic, but beneath her pleasant exterior, Alex seems bored. When Joey turns a cliffside hike into a cringingly clichéd opportunity to propose, she’s not enthusiastic; she’s repulsed. Dejected, he abandons her in the woods, which is when she meets Kianna (Tandia Mercedes) and Matt (Cody Kearsley).
This couple is everything Alex and Joey are not. They are young, unconventional, and uninhibited. Alex feels lighter and more free just being in their company. At first, it might seem they’re part of the Gen Z van-life community. But before long, Alex realizes they’re not just living off the grid, they’re bank robbers on the run. And far from being fearful, she’s fascinated.
Abandoned by her banal boyfriend, not expected back at her HR job for days, and now in the hands of a pair of armed and dangerous criminals, a new world of possibilities falls before her. What could life look like if she just didn’t go home? Turned on by their devil-may-care attitudes, she’s in their thrall sexually and psychologically. Firing a gun for shooting practice becomes as thrilling as a ménage à trois. But how long can this criminal bliss last?
A Safe Distance evolves into a sapphic romance with crackling chemistry.
Unmistakably, both Matt and Kianna are into Alex. There’s an electrifying excitement as their desire becomes a three-way flame for a steamy sex scene. But Matt soon becomes less intriguing and more tedious. Tossing his long, shiny hair and flexing his muscles, he monologues about feminism and society with a gnawing arrogance that feels like he’s pitching a podcast. So it’s little surprise when Alex brushes off his advances for a stolen kiss, and Kianna grows visibly irritated with his presumptions about his own prowess as a thief.
Stolen glances and conversations about the books of Patricia Highsmith point to where A Safe Distance is headed. I mean, two women sharing a picnic blanket, talking about the brilliance of The Price of Salt (which Todd Haynes adapted into the sumptuous queer romance Carol) is anything but subtle. But it’s not meant to be. It’s these women’s version of passing a note in class that essentially says, “I like you, do you like me? Check yes or no.”
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Brown and Mercedes are superb in these scenes. While their characters each try to maintain a facade of aloof cool, their conversation oozes with vulnerability and hopefulness. Like Highsmith’s heroes, villains, and antiheroes, they fall fast and unstoppably for a life path that society might reject as deranged, dangerous, or wicked. The dream of being not Bonnie and Clyde but Alex and Kianna is clear and glittering as they pull off an impromptu robbery at a random convenience store. Of course, Matt bristles at being left out.
From there, the heat and tension builds, promising an eruption that we know will end in blood. But whose? That question pulls the final act into a place of dizzying anxiety and anticipation. It’s a threesome turned love triangle turned deadly dance, and who will be left standing might seem obvious. But A Safe Distance has solid surprises in store.
Cheers to West and Mercer, for this is a spectacular example of smart, sexy, and satisfying indie cinema. Their locations are modest. Their production design is mostly a forest. They have only a handful of characters, and no big names to boost the production’s profile. So they lean into sharp storytelling, intoxicating chemistry, and a lean runtime of 85 minutes. A Safe Distance is terrifically paced, unapologetically alluring, and psychologically exciting, making this thriller a salty, twisted treat. The allusions to Highsmith could have hurt the film if it weren’t such a solid homage to her storytelling style. Instead, it’s easy to see Alex and Kianna among the ranks of Tom Ripley or Carol Aird, figures driven by their desires, for better or worse. And by damn, don’t we love them for it?
A Safe Distance was reviewed out of the 2026 SXSW Film Festival.
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